in the spring of 2007 i met with tracy broyles of theory1:dance to discuss the possibility of costumes for her production of COCOON BIRD. she arrived with a couple of pages torn from a magazine, a bag full of paper leaves with little phrases written on them, and a list of words. we used this as the basis of the costumes for this performance.
and this spring i have the privelege to work with tracy and meshi again in their upcoming performance of I WANT TO STOP WANTING that will be held at disjecta in portland at the end of april. i watched my first rehearsal two weeks ago, and took notes on the dancers’ movements to see the technical needs and limitations i might encounter when costuming the dancers. other considerations are: visibility, the distance between the dancers and the audience, the lighting, the colours of the walls and floors as compared to what the dancers are wearing, how they all interact together, and which movements need to be highlighted or hidden. i love seeing the progression of other peoples’ work. and i also like the opportunity to do something completely different than my very focused piper ewan line.
now is the big challenge. i need to work with the directors to come up with a look that best conveys the feel of the piece. unlike FLYING IRON these costumes cannot limit the dancers’ movements in any way. discussions with tracy and meshi over tea consist of us trying tossing about words and concepts that will translate into costumes.
March 13th, 2009 – 7:30 pm ‘till 10:00 pm
Performances start at 7:45 Dance Party starts at 8:30
Conduit Dance, Inc.
918 SW Yamhill Ave. Suite 401
Portland OR, 97205
Performances by Oslund+Co., Lanie Bergin,
Jen Warnock & M:CM dancers, Woolly Mammoth Comes to Dinner
and THEORY 1: DANCE
DJ Winky Wheeler + Snacks and Beverages
Donations $10- $100
A benefit for THEORY 1: DANCE’S new work:
“I want to stop wanting” Premiering at the end of April at DISJECTA.
Artistic Directors: Tracy Broyles & Meshi Chavez
Composer/ Musician: lyd
Dancers: Lucy Yim, Meshi Chavez, Mark Kline, Tracy Broyles
This project is partially funded by RACC